the late 1960s / early 70s brought about a change in sound for many gospel groups. producers and label heads at abc peacock recognized that the traditional sound of gospel needed to be updated to appeal to the younger market. the groups started to incorporate elements of soul and funk with arrangements influenced by the r&b records of the time. this compilation presents 13 striking examples of this seismic shift in black music by some of the greatest groups in gospel music’s rich heritage.

james dexters star has been rising for a while now - the young brit turning out killer tracks regularly on the back of hugely well received dj sets. on his second outing for dessous recordings, dexter does what he does best - four slices of deep, funky and vibing house music for the floor. lead track drift is typical of dexters flair for subtle, edgy sounds, wrapped inside a warm and inviting groove. elements come and go, but the shuffling, infection feel runs throughout. take me is a more upfront vibe with a seriously bumping groove - dexter clearly well versed in the roots of house music from chicago. ‘whose rules ?’ is a snappy, bright and lively production, with a sub bass that will troubler some of the world’s best club systems in the coming months. the light, jazzy vocals offsets the groove perfectly - sure to be a big tune for a wide variety of djs. the last track of the release is disco deep - and it pretty much does exactly what it says - a swung, groovy feel punctuated by disco claps and balearic flourishes that will sound as good on the beach as in the basement.

another great release on the santiago-amsterdam label cachai: ltd 005 on clear vinyl! german pride christian burkhardt and daniel roth: two artists who have been rocking the game for a long time. pure groove - the way we love it at cachai. this release hits two remixes: chilean all-star felipe venegas and amsterdam based quality producer onno. a pack of four tracks that can’t disappoint.

altiorem welcomes jun akimoto & ittetsu! turning away ep delivers 3 hypnotic and minimal dancefloor bombs + a remix from barcelona based dafoe & amin ravelle. don t snooze..

new years deal - delsins next trick is a debut double 12 from sentomea, an amsterdam native, real name sander schuurman, you might not have heard of but a real synth freak. exclusively producing his music in hardware-based live takes, and that gives rise to perfectly imperfect stuff that feels visceral and alive. often making music with a visual connection, this ep is full of versatile 909 beats and fizzing electronic textures. relative solace is up first and is a frosty house trip with bell textures and melancholic strings sounding all celestial and heavenly. wander is all about a sludgy 909 groove being lit up with bright strings and icy hi hat ringlets as dissonant pads stretch and skew all about the arrangement then fortitude boogie has classic detroit pads, a lovely broken rhythm and a funkateer bassline that makes the whole cut dance and emotional dance. fluid is more stripped back and clean, with rubbery 909 drums plodding below w atery, gurgling synth sounds up top and this most expressive and textural ep closes with the experimental fm synthesis that is matter with its raw, off beat grooves and glassy surfaces, and finally reminiscent, a horizontal, star gazing cut that encourages you to lay back and day dream in the grass.

punk rock classic on heaavyweight 180 gram vinyl ! includes the wonderful should i stay or should i go - everyone should know now!

another certified 90s hip hop anthem on 45 for the first time courtesy of 5 borough breaks. original flavour s -can i get open- was an underground smash at the time and is also notable for one of the very first times global rap star jay-z appeared on wax - classic material no doubt. as always, the b-side reveals one of the sample sources for the track, this time young holt limited s -wah wah man- providing the neck snapping drums.

summer reggae longplay

die doppel-lp im klappcover ist in limitierter auflage für kurze zeit wieder erhältlich! -music is the rod- kommt mit den 24 besten tracks des sängers, mit fotos und ausführlichen liner notes von bridgett anderson, der ehemaligen managerin von garnett silk, und anthony rochester (seinem partner für das songwriting), sowie zitaten der verschiedenen produzenten: bobby -digital- dixon (digital b), donovan germain (penthouse), chris chin (vp), courtney cole (roof international), richard -bello- bell (star trail), sly dunbar (taxi), danny browne (main street), richie stevens (pot of gold) und phillip smart (tanyah).

after a blistering end to 2016, rhythm section intl begins its 2017 schedule with a second outing from peckham duo fyi chris. sitting firmly left of centre, these 4 tracks manage the very difficult task of being both unconventional and highly functional. highly recommended for fans of similarly difficult-to-categorise artists such as red axes, axel boman and baba stiltz.

mirror would turn out to be pearce’s final offering as fsa for 15 years, but at the time of its release in 2000 it felt like the start of something exciting and new – it was seen in some quarters as one of the first great records of the millennium. sonically, it was pearce’s most accessible and melodic album. “his sombre, acoustic folk still recalls the gentle melancholy of nick drake,” said the pitchfork review, “but for the first time, the melodies and lyrics can be clearly deciphered.”
repress on heavyweight 180 gram vinyl with download code included.

a bastion of magnetic style and mixing board finesse, honey dijon continues to exceed her bounds, pushing through from the underground of new york to become a cultural, global star. her classic follow-up to houze with seven david jnr, the provocative personal slave is unapologetic, hedonist and achingly cool. honey has teamed up with charles duff aka charles mccloud, who lends his seductively sulky tones for the vocal on the record. murky and mechanical, cowbell dinks and a percussive breakdown lift the mood, keeping the tracks feet firmly in the house bracket. consistently, honey’s productions piece together her familiar chicago jack with a contemporary new york edge. this track goes further in exploring that hybrid style, delivered with honeys signature lushness. a strong force in the us techno scene under his matrixxman moniker, charles duff appears again for remix duties on the dungeon dub, which as the name suggests is profoundly dark and moody, resonating highly with his regular slots at berghain. the drum machine mix hones in on the percussive work, playing with a visceral, hypnotic vibe that is so potent its almost dangerous. if this release is any indication of honeys intentions for this year, 2017 will see honey continue her ascension as a music icon.

(180 gr heavy weight gatefold 2lp with liner notes) funky chicken brings together some of the best belgian dance tracks from the early seventies. its a post-fact documentation, the result of a quest into a period on which information is few and far between the black hole in belgiums history of pop.

in 2014, k’valentine linked up with javotti media, a label owned by hip hop star talib kweli, and began to work on her third mixtape, million dollar baby. million dollar baby finds k’valentine rhyming over tracks that are new as well as her versions of existing hits, giving the listener a well rounded perspective of a young lady that can lyrically spar with the best of them. you can also find k’valentine’s contributions to the world of music on javotti media’s mixtape, the cathedral, which placed k in the company of esteemed artists such as big k.r.i.t. joell ortiz, curren$y, niko is and more. in 2015 k was featured on the joint album from talib kweli and 9th wonder, indie 500 and in 2016 she was featured on the latest javotti media’s mixtape, awful people are great at parties, with production from some of the top names in the game including kaytranada, hi tek and the late great j dilla. k’valentine’s love for music has given her a calling, and she is here to answer that call. the music she makes is not just wonderful for the listener, but has also been her therapy to get through life’s trying times.as beautiful as she is talented, her experience is valuable and her voice is needed. her debut album, here for a reason, is now set to be released. experience k’valentine and enjoy!
the vinyl release includes a download code.

lessismore record label, founded in 2003 by the dutch dj and producer alexis tyrel together with mbc, has been home for mostly his own releases under all his monikers and various artist compilations. “return to planet alpha” continues in this tradition, being a second long-player of alexis tyrel after his debut “newtradition” from 2011.
“return to planet alpha” is a collection of elegant techno tracks which instead of following the now so popular dark and destructive path focuses on daily moods and airy atmosphere, which is closer to open air and lounge than to sweaty pits of contemporary rave. but that doesn’t mean that the twelve tracks are just indistinctive background music. for one thing, tyrel is a master of slick and tight beat foundations of kick drums and bass, often smoothed out with cool synth pads, onto which he layers all kinds of rhythmical chains, subtle melodic ideas and sounds ranging from vintage synths and industrial bits to organic textures and even field recordings.

reissue

the incredible first album by tim maia brazils greatest soul star in the 70s, and for good reason too given that tim was one of the few who could match the depth of american soul and funk at the time!

before he was nigeria’s self-proclaimed mr lover boy, felix lebarty was an upcoming musician in the country’s edo-delta region. his big brother, aigbe, was a legendary highlife bandleader, but felix paid his dues playing guitar with thony shorby nwenyi and the collection of stars, along with fellow star mighty flames bassist, willy nfor. perversely, girls for sale was released after lover boy, the slick disco album that cemented his place in nigerian music history. it is a collection of tracks lebarty made early in his career, when his music was rawer and his pickup lines less sophisticated and less practised.

no waves records 3rd vinyl release.
a side includes 2 tracks by israel artist dot:
“the way you feel” is a classic deep house track with a timeless signature.
“long shot” is a strong dance floor track with dubby marks and a solid groove.
on the b side following the first release of no waves, stephan bazbaz comes back & unleashes his long time favorite track - “806”. a beautiful deep dubby track with all the right elements.
b2 is a rework by the new york rising star nico who gives the original a perfect pump and a drifting break to make it unforgettable.

dutch producer nathan surreal debuts on biologic records with ?star dust? featuring remixes from adesse versions and neville watson. exploring abstract, ?surreal? and melodic electronic sounds, the dutchman is a perfect addition to the biologic roster. appearing on a host of underground labels since 2014, nathan is set to make a breakthrough with ?star dust’ balancing on the edge of reality and pushing further into the abstract and surreal worlds ?star dust? unfolds through waving synths and dubby bass lines ??? is a darker track, the bassline punchier and driving acid-tinged synths create a dance-floor ready record. next up ?human music? has a more minimal introduction, building in intensity as the synths come through until finally the melody drops, maintaining the dreamy top line that nathan is so adept at maintaining. neville watson provides the first remix on the ep, he adds reverb to the vocal, amplifying its effect on the track. star dust is intensified, perfect for late night, or early morning, dance floors. addesse version?s remix of ?star dust? is a twisted acid remake, a left-field and off kilter beat is slowed down to a psychedelic swirl, pulsating throughout the track.

nach dem song »time for bedlam«, der schon anfang februar als maxi-cd erschienen war, folgt nun mit »all i got is you« der zweite vorgeschmack auf das neue deep-purple-album »infinite« und gleichzeitig die erste offizielle singleauskopplung.
»all i got is you« ist deep-purple-sound pur. die eingängige viereinhalbminütige hymne kombiniert nostalgischen 70er-rock mit modernen klängen. morses virtuose gitarre und aireys hammond-orgel sind allgegenwärtig, genauso wie ian gillans kräftige und nach wie vor wandlungsfähigen vocals.
zudem warten auf der limitierten 12“-single neben »all i got is you« exklusive aufnahmen aus dem proberaum von deep purple, die weitere spannende einblicke in die bevorstehende platte geben.

90s acid legend woody mcbride

more stories from lonely planets rec. on the long awaited debut ep of star traveller sinan alakus. solid 12” diameter taking you on a cosmic waveform expedition with clean spacious orbits inspired by past, present an future. warping through techno jams and time bending house grooves to atmospheric ambient and kepler electro cuts. five ethereal voyages to make that interstellar medium travel less lonesome.

kiki gyan’s star didn’t burn long, but it burned bright. drafted into the afro funk super group, osibisa, at 15, he was millionaire by 18 and regarded as one of the best keyboardists in the world by 21. ‘life was good, man,’ he told journalist kweku sakyi-addo. ‘too good!’. in 1983 he dived head first into the new york party scene. he took a lot of drugs, spent a lot of time in clubs and got together a team of crack local musicians to record feelin’ alright, his third and final solo album. all the kiki gyan trademark elements are present and correct. the album is unique a blend of highlife music with electronic funk and disco. ‘rosemary’ follows the formula most closely and was a hit across nigeria and ghana. but on ‘give it to me’, ‘love to love you’ and the title track, you’ll hear a slicker, boogie-influenced sound that has made feelin’ alright one of his most sought-after albums. kiki gyan would never hit such heights again. his addictions eventually took hold and he died aged 47, destitute and alone. feelin’ alright remains one of the brightest stars in his extraordinary constellation.
(peter moore)

for the past four decades, a growing cult of soul music collectors have sought two obscure lps and a handful of extremely rare 45s released on the vanity record label lad productions, inc. between the late seventies and the mid eighties by the mysterious south side chicago singer/song writer larry dixon. larry s raw songs capture the transition from r&b to boogie-down as disco was rapidly becoming extinct. they also perfectly illustrate larrys ability to overcome his environment and discrimination, transcended by his determination to write and produce music. with the support of his faithful musicians, larry s success was only hindered by lack of airplay and promotion, but his talent shines through. this is the story of larry dixon, his label lad productions, inc., and his friends and family throughout four decades of music in chicags toughest neighborhoods. jerome derradji is proud to reactivate past due records the boogie funk division of still music to release this fantastic archive what many consider to be the holy grail of chicago funk, boogie and soul.

ultimate block party breaks volume 4 continues the tradition that began in the bronx in the 1970’s, where “break djs” would take that one part of the record that dancers would go absolutely crazy for. that part where all the music breaks down to nothing but the essence: drums and percussion. these are all truly timeless beats that sound as fresh today as they did when the founding fathers like kool herc, bam, flash and hollywood were catching them for the frst time in community centers throughout the city. we’ve edited and extended these breaks for maximum effect on the dancefloor - so you don’t have to. enjoy!

not every story has to always start at the beginning. an unforeseen prequel to an existing story can deliver new meaning and create fresh excitement. vega records’ latest release “a new day” features the r & b music legend, vocalist caron wheeler, and visionary, producer jazzie b. they are widely known as soul ii soul, “keep on moving” and “back to life (however do you want me)” are just a few of their mega-hits. the latter won the group a grammy award for best r&b performance by a duo or group with vocal. this new release on vinyl “a new day” by vega records features unreleased remixes from an all-star cast that consists of producers louie vega, joe claussell, ron trent, timmy regisford, adam rios & tiger wilson. a double pack vinyl of unreleased versions by the talented cast of remixers, nuff said! let the music take you there!

dubfire and miss kittin have scored another big hit in the form of their second collaboration ride, the follow-up to the much-loved anthem exit. now, many destroyed dancefloors later and they’re unleashing a big pack of remixes to sit alongside their two original versions. solomun may best known for big melodies and hooks, but his remix boldly displays his affinity for heads down techno. a beast of a track, it centers around ticking percussion and pulsating synth delays with a throbbing low end. minimal in approach, maximal in aesthetic, it’s a no-nonsense groove. matthew dear dons his audion guise to remind us how instrumental he was in formulating that oddball techno sound a decade ago, making good use of the vocals in the heady breakdowns and matching them with unsettlingly wavering synth sirens and an almost tribal bass stomp. it’s full of atmospheric touches and pulls off a big room feel without resorting to cliches. depeche mode, erasure and yazoo legend vince clarke is a personal hero of dubfire’s, making his appearance on this package all the more of a special, rare treat. his chunky house groove is decked out with rolling congas, electro arpeggios and a yearning, bluesy guitar lick. french star djedjotronic has himself remixed depeche mode, and his version rounds off the package with throbbing low end, harrowing synths, techy percussion and brooding reese bass swells. with four very different mixes to choose from, this is an immense package that is set to cause havoc on dancefloors worldwide for some time to come.

after seven years legowelt s smackos alias returns with a vampire goes west ....an all out amateur spacejazz spiritual ambient eruption on smudgey cassettetape. in library grey jewel case, comes with multifunctional self adhesive dome refrigerator magnet

as we roll into a brand new year bass culture keeps the pressure high with a funk-filled new three-track ep from one of germany’s finest, sebo k. the berliner has been entrenched in his city’s vibrant scene since the nineties, when he was playing breakbeat and jungle. in fact, there’s a nod towards his early days on the ‘brock wild’ ep, along with some sultry funk. head of his own label, scenario, and curator of parties under the same name, sebo k has also produced music for a long list of some of the world’s most influential underground labels and now he steps up to bass culture with this sleek collection. the title track is a steady roller with hefty bass rumbling deep below sturdy beats. the groove is funky and low slung, swirling pads mesmerise you as soulful female vocals raise your vibration. the track is punctuated by an iconic sample of uk reggae star top cat, which was used in several early jungle tracks in the mid-nineties and now again on sebo’s killer track.flip the record over for side b, which kicks off with ‘aftershock’, another sweet groove with jazzy hues, more punchy percussion and a warm, simmering undercurrent. as the track evolves, techy notes are added to its potent mix and we get a wonderful mix of traditional sounds and more futuristic effects. last but not least is ‘foliage patterns’, a sensual cut straight out of the us school of deep house. this is one that will be spun by all the deep house masters no doubt, with all the elements you need to inject some bounce into the dance floor yet still touch its soul. as we said, sebo k is one of germany’s finest, a versatile producer and dj who demonstrates exactly why he remains one of the nation’s most consistent and respected artists. make sure you add the ‘brock wild’ ep to your collection, it’s a must!

seth troxlers taste-making play it say it label continues to set its own agenda with a fantastic new doublepack / mini-lp from frenchman the mekanism. featuring eight club focussed cuts, this compendium follows up the essential acid love ep released on this label back in 2015. parisian dj/producer and rinse fm france star damien roussel is well known to those with their ear to the underground house scene. he has been djing for more than a decade and puts out his choice cuts on labels like berlins exploited, londons needwant and leeds 2020 vision as well as on play it say it of course. looking back to chicago but also forward into his own sonic realms, he is a fresh producer with plenty to say for himself, and this expressive new release proves that.

krystal klear captures the essence of nycs underground music culture with danceteria / keith haring released 27th february on his own cold tonic imprint. krystal klear has released on all city records, rinse, eglo, madtech, and cold tonic. he also curates a monthly show on rinse fm while djing the most exciting clubs around the globe. from his roots in dublin to attending the star-studded red bull music academy in madrid, krystal klear’s signature productions blend early-days nyc dance music with a forward- thinking sensibility.

since his massive works on sunday ep from the middle of 2016 archie s star has risen considerably, peaking with his inclusion at no.70 on ra s end of year dj poll. here he steps up for ep duties once more on his spiritual home of fuse london, driven to distraction kicks things off with a bubbling acidic groover while telegram also harnesses the power of the 303 albeit in a more trippier form. channelled rounds things off with an elegantly floated groove, it s melodic elements and aquatic kick heralding the shift in seasons beautifully.

(180 gr vinyl incl. cd) token is pleased to announce the sophomore album from sigha. metabolism represents an arrival: the artist offers his definitive statement on a production aesthetic that has been in development over the last few years.

omni am came into existence from the disparate musical tastes of adam collins and marky star during the strict 90s chicago house scene. making use of a wider palette of sounds and rhythms, the two formed an act around an eclectic live pa and their unique vision of unpredictable house music. with resident advisor calling it as good as house music can possibly get, beat dis is a breakbeat salute to house music and was featured on fabric records tyrant 2 by craig richards + lee burridge. dangerous is a minimal tech classic with omni am s signature rule-breaking style. originally released on swag, the song deepened the groups long relationship with the south london record shop and its crew. presented now for the first time with updated masters, this release is for fans requesting these rare songs, and also for a newer generation who are eager for their own copies

thats right folks, the todd is back, bucking trends and shucking conventions to bring us two tip top reworks of an as yet unreleased original.taking the console for a-side manoeuvres, four tet scans the star maps and picks out a particularly jazzy path to a distant dance floor dimension.over on the flip, olsen regular prins thomas gets in on the action.

with 4 releases under their belt and more to follow, it clearly shows the alliance between hunter/game and the icelandic band kura, can do no wrong. their band, landside, is now primed to get an accompanying remix ep following up from signs of change and desert lake. drawing their inspiration from a cumulation of music that inspires them, they call up a diverse selection of artists to the task, which present an astonishingly coherent vision. from the stormy modulated chords of robert hood and trickling pads crafted by etapp kyle, to the dystopian narratives expressed by bambounou and edanticonf, the re-visionings provide additional star-power to what is already a fine, shimmering series.

following our tenth release we welcome two unique and established artists into the leftback family. david gtronic and randall m join us for their first outing on the label off the back of their busy international touring schedule and contribute an epic deep and twisted track across one whole of side a. accompanied on the b side by a heavy duty dub mix stripping back the original track and knotching up the bpm. label regular matt star provides his dubby techno stamp for the remix completing the package on b2.

vinyl only !! r e p r e s s
as always theres no name on the label but you know why. its all about the music and this time we ve got the >power< ! cabin fever are back with one of the most asked for tracks of 2012. already a massive record for radio slave these tracks have been the talk of the town since he picked them up from a young frenchman based in berlin at the end of last year. so, dont miss out on this super hot vinyl only limited release. hailing from berlin this young french man might well be this years brightest star of electronic music. as always theres no artist on the label but you know why. it s all about the music ! super fresh and vinyl only. and this one certainly has the >power< !

lumièreslanuit is glad to welcome back french berlin-based music producer and live performer roisner. one year after his piano roll ep (lln003) that was released on the occasion of lumièreslanuit s i anniversary, roisner delivers this time a more dance floordriven ep while keeping some basic components that make his piano roll release so poignant and touching.

ellum audio welcome a new name to their ranks for the label’s first ep of 2017. that man is barcelona based raxon and he serves up a brace of brilliant tracks that prove he is a fast rising star. before now, egyptian born raxon has been based in dubai, where he was resident at the audio tonic events. he has released on label including nm2 and tronic and has a release coming soon on diynamic.

nice price deal !!! incl rmx by bad boys! support from : gregor tresher, matt star, daniel mehlhart, daniel sanchez, ranato figoli

modular ball is an experienced duo from japan. sound engineer isao kumano teamed with musician kenichi takagi for their first release on rowtag records. they usually work together with alex from tokyo under the name tokyo black star. they share a same passion for analog old synths but kenichi added his touch on the project using his own modular systems.

the esteemed will & ink imprint hits the mini milestone of a tenth release by inviting old and new associates to remix some of the label s still essential back catalogue. the results are as weird and wonderful as you would expect of a label that has always gone its own way. mosca flips second lucas into something intense and brutal, with lashings of frazzled industrial synth sounds whipping about above pinging and high impact drums. italian chevel then transforms third lucas into five minutes of otherworldly machine made oddness. livity sound star asusu comes with a typically hi fidelity re-work of second carol. dubby and loopy, metallic and clean, it is a pristine track to get dance floors locked to a groove. and first carol reworked by its original producers yaleesa hall and malin, minimal dub with freaky sound design and the result is an earworm of a tune that burrows deep into your brain.

aufgenommen in der grafschaft durham, wurden sounds, die in der umgebung aufgefangen wurden, ein teil der musik. regen wird in weißes rauschen verwandelt, an einer stelle eine melodielinie, die von einem star nachgeahmt wird das ergebnis endloser prozesse und zyklen. die techniken, die bei der schaffung verwendet werden, spiegeln allegorisch diese prozesse. arpeggios entwickeln sich und sind miteinander verbunden. die zufälligkeit wurde unter verwendung von zwei ähnlichen paaren von synthesizern eingebracht, so dass ihre zyklen sich ständig verändern und natürlich entwickeln. -embers- anfang und ende erscheinen gleich, so dass es endlos laufen kann. die 2xlp 180g vinyl edition (beide vinyl transluzent - 1x rot, 1x orange) wurde erstellt, damit der hörer das album ohne pausen auf zwei turntables mischen kann. das album-artwork selbst ist eine interpretation der musik, um mit einem anderen medium die welt aus einem anderen blickwinkel zu betrachten.

there’s been little more than half a year since kess kill launched, but there’s no doubt the label ethos has come across with its glowing yellow and spidery, but ragged sharp, teeth bared.&#8232,, for the fourth release, german industrial heroine geneviève pasquier bites hard with four humor and personality filled industrial numbers. she rides the thin line of black humor with such grace that her pretentious peers are left with their leather trousers by the knees in her wake. &#8232,,&#8232,,special thanks to ant-zen for granting licensing rights. qu’est-ce qu’il fait chaud!

repress / standard cover ...
on local talk s 74th release it s about time to get real...and we re not only talking about the music! this a heavy and political record that through music expresses the constant struggle for many african americans living in the us today. or like jamie 3:26 said after he first heard sameed s initial version - it instantly hit me with the raw pain and emotion of the lyrics. there is so much struggle in the world today, many black men and women are in emotional, mental and spiritual battles. the message is delivered over two tracks, testify and can t u . both tracks are using the same themes and samples but with a distinct difference on the end result. on the a side we find chicago legend jamie 3:26 teaming up with amsterdam s new shining star masalo (brighter days crew) for a gospel inspired disco / house jam that comes with a slight warehouse feel and a thumping bassline that is 100% on point on the flip sameed is back on local talk with can t u . a track that uses the same foundation as testify but instead goes straight for that dirty disco knock out punch...heavy stuff! as an extra bonus we also included dusty jazz , a fender rhodes driven jazz-house cut from sameed that sounds like it comes straight from a dark juke joint in manchester.

12 inch with black jacket. this music is inspired by the story and the interviews with betty hill.

calibre’s new album “grow” for craig richard’s label the nothing special.
12 tracks pressed over 4 pieces of 12 inch 180 gram vinyl presented in gatefold sleeve.
all music written and produced by calibre. all artwork by craig richards.
mastered by lewis hopkin at star delta mastering.